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OVERALL SCHEDULE (all times given in CET)
17:00 | OPENING
KEYNOTE LECTURE |
Nicholas Cook:
Crisis, Which Crisis? What Music Tells Us, and How Music Can Help chair: Jelka Vukobratović |
9:30 – 11:00 | SESSION 1:
Lessons from Music Histor(iograph)y chair: Ivan Ćurković |
9:30 – 10:00 | Erlend Hovland:
Berlioz as Provocation to Music History: On the Institutionalisation of Musicology |
10:00 – 10:30 | John Vandevert:
The Defence of Unbiased Musicology in the Wake of Modernisation: Learning from the Soviet Example and the Corrosive Power of Half-Truths |
10:30 – 11:00 | Amy Damron Kyle:
A Call for Context: Pauline Viardot Garcia as a Template for Changing the 19th Century Musical Genius Archetype |
11:00 – 11:15 | COFFEE BREAK |
11:15 – 12:45 | SESSION 2:
Critical Perspectives in Music Analysis chair: Sanja Kiš Žuvela |
11:15 – 11:45 | Monika Karwaszewska・Hanna Dys:
A Critical Source Edition of Mieczysław Surzyński’s Concerto for Organ and Orchestra Op. 35 |
11:45 – 12:15 | Koichi Kato:
Sonata Theory in the Age of ‘Post-Truth’ |
12:15 – 12:45 | Violetta Kostka:
Meaning of Music as Rescue for Musicology and Humanities |
12:45 – 15:00 | LUNCH BREAK |
15:00 – 16:30 | SESSION 3:
Musicology in the Expanded Field chair: Zdravko Blažeković |
15:00 – 15:30 | Tatjana Čunko:
How to Make Musicology More Visible with Help of Radio |
15:30 – 16:00 | Jurij Dobravec:
From Ladislav Šaban to the Future of Slovenian Organology |
16:00 – 16:30 | Leon Stefanija・Vanessa Nina Borsan・Matija Marolt・Matevž Pesek:
Challenges of Computational Musicology |
16:30 – 16:45 | COFFEE BREAK |
16:45 – 18:45 | SESSION 4:
Facing the Artistic Turn: Musicology and Artistic Research chair: Ana Čizmić Grbić |
16:45 – 17:15 | Astrid Kvalbein:
Artistic Research: New Epistemic Cultures in the Academy? |
17:15 – 17:45
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Marijan Tucaković:
Poetic Theories of Classical Music Performance: Introduction, References and (Practical) Considerations |
17:45 – 18:15 | Chanda VanderHart・Abigail Gower:
Two [Ivory] Towers? Performers, Modern Musicological Thought and Relevance in Higher Education Settings |
18:15 – 18:45 | Rolf Bäcker:
Musicology and Artistic Research – Competitors or Allies? |
9:30 – 11:00 | SESSION 5:
Musicology as a Political Act? Engaging with Arising and Recurring Crises chair: Mojca Piškor |
9:30 – 10:00 | Jelka Vukobratović:
Ethnomusicological Nationalism and its Innocence in Times of Crisis |
10:00 – 10:30 | Branislav Stevanić:
A Scattered Protesting Mass During the Belgrade Spring Lockdown: Ethnomusicological Reflections on Sound Protests |
10:30 – 11:00 | Martina Bratić:
What’s Been Going on with Feminist Musicology Lately? |
11:00 – 11:15 | COFFEE BREAK |
11:15 – 12:45 | SESSION 6 (panel):
Musicology as a “Small Discipline”: The Example of the Department of Musicology in Zagreb |
Ivan Ćurković:
Minority Complexes and “Small” Musicologies |
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Ana Čizmić Grbić:
The Challenges of Doing Research and Teaching Musicology |
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Monika Jurić Janjik:
Teaching Musicology: Growing Without “Growing Up” |
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12:45 – 15:00 | LUNCH BREAK |
15:00 – 16:30 | SESSION 7:
Writings on Music: Critical Thought and Literary Testimonies chair: Monika Jurić Janjik |
15:00 – 15:30 | Nataša Marjanović:
Literary History and Musical Historiography: From Fundamental to Interdisciplinary Research |
15:30 – 16:00 | Jelena Sviben:
Adorno as a Paradigm? The Case of Music Criticism in Croatia |
16:00 – 16:30 | Susanne Kogler:
Aesthetic Experience and the Political Relevance of Art: Reconsidering Musicology with Hannah Arendt and Theodor W. Adorno |
16:30 – 16:45 | COFFEE BREAK |
16:45 – 18:45 | SESSION 8:
Present and Future Crises of Academic Labour in (Ethno)musicology chair: Jelka Vukobratović |
16:45 – 17:15 | Ana Hofman・Mojca Kovačič・Urša Šivic
Where Would We Go with This Ethnomusicology? About Institutional Status, Disciplinary Divisions and Neoliberalization of Academic Labour in Slovenia |
17:15 – 17:45 | Mojca Piškor:
Slow Science Utopia: Privatised Anxieties, Gender and Academic Labour in Contemporary Croatian (Ethno)Musicology |
17:45 – 18:15 | Bianca Ţiplea Temeş:
“Make Romanian Musicology Great Again!”… Working in the Doctorate Factory |
18:15 – 18:45 | Iva Nenić:
“The Winds of Change”: Paradigm Shifts in Contemporary (Serbian) Ethnomusicology |
18:45 – 19:30 | COFFEE BREAK |
19:30 | CONCERT: Jaman Suara Gamelan Ensemble
YouTube: https://bit.ly/35fVar9 |
9:30 – 11:00 | SESSION 9:
Psychological Aspects of Musicology chair: Ingrid Pustijanac |
9:30 – 10:00 | Sanja Kiš Žuvela:
How Musicological Is the Psychology of Music? And How Far Does Our Knowledge Thereof Go? |
10:00 – 10:30 | László Stachó
Making Sense (and Relevance) of Data: The Cognitive Analysis of Performance |
10:30 – 11:00 | Blanka Bogunović:
Psychological Approach to Contemporary Art Music: The ‘Composer – Audience’ Communication |
11:00 – 11:15 | COFFEE BREAK |
11:15 – 13:45 | SESSION 10:
Thinking Crisis chair: Leon Stefanija |
11:15-11:45 | Dalibor Davidović:
Eva Sedak, a Musicologist in Times of Crises |
11:45-12:15 | Sanela Nikolić:
Considering a Global Perspective: The Case of Musicological Brainfood |
12:15-12:45 | Jan Giffhorn:
The Perks of Being Post-Factual: Fiction and Research in Musicology |
12:45 – 15:00 | LUNCH BREAK |
15:00 – 16:30 | SESSION 11:
… and Its Future(s)…? chair: Dalibor Davidović |
15:00 – 15:30 | Zdravko Blažeković:
Advancing Communication in Global Musicology: RILM’s Social Responsibility |
15:30 – 16:00 | Srđan Atanasovski:
Rhythmanalysis and (Post)Musicology: From horror silentii to Social Distancing |
16:00 – 16:30 | Richard Parncutt:
The Short Future of Musicology, and What We Can Do Before It Ends |
16:30 – 17:00 | COFFEE BREAK |
17:00 | FINAL DISCUSSION |
19:30 | CANCELLED!
CONCERT: ASMANGU – Academy of Music Students’ Ensemble for New Music YouTube: https://bit.ly/35fVar9 |
ACCESS:
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